


EXECUTIEVEILING - Collectief Walden
Collective Walden celebrates its 12.5 years of existence and its end. They celebrate one more time their mission: learning to cope with unintended change. And sometimes even experiencing hope, in times of undeniable and all-important climate collapse. We celebrate our end not because we are so eager to stop. On the contrary. We have to come from pretty far frankly. But we have always argued that an end does not necessarily have to be a tragedy on all fronts, if you prepare for it thoroughly and shape it a little nicely too. It's an existential question that will be asked more often in the times to come: how do we round it off together a bit neatly?
Letting go is different from leaving behind. Holding on is different from refusing to move on. Letting go is allowing what was there to resonate within you as you move on. Holding on is allowing yourself to move on, while what was there reverberates eternally within you. - WIND STILL LIFE (2016)
To mark their 12.5 years of existence, they are auctioning 12.5 special objects from their past. Together, the lots form an ode to the work of the collective. In addition to the members themselves, partners and freelancers also bring short eulogies to Walden. Loyal fans, former collaborators, partners and people who want to get to know this special work at the last minute are cordially invited to toast. And perhaps of course go home with something from the treasure trove of 12.5 years of Walden.
The anniversary will take place on 9 November at 14:30 and we will reflect on our end in the IJzaal of the Tolhuistuin in Amsterdam, during Warming Up.
NAU, 1e jaring - Collectief Walden
NAU, 1e jaring. New (music) performance of Collectief Walden
We need parties. The conversation falters. Voices strike; strikes break; the right to demonstrate is curtailed. What else is left for us, but to dance? For centuries, communities have formed around beats and pulses.
Can we lose ourselves and find each other? Can we flirt with the moss, fuss with tree lilies? A fledgling tradition shoots up like beach grass, salute the centuries that come after you. NAU is an over-the-hill party of our civilisation. This is not yet the end, but from here you can see it. Let's dance. And in such a way that the foresters get something out of it too.
try-out Tolhuistuin, Garden | 10 May 2024
Oerol Festival, Loodseplak, Terschelling | 7 - 15 June 2024
start 11:00h & 13:00h
Tickets
Collective Walden is: Thomas Lamers, René van Bakel, Raïssa Pater, Jaël Kaat, Jermaine Berkhoudt, Sophia Keck, Maria Stuut, Jaap Warmenhoven, Kelvin Pater, Bram van Gameren, Jente Hoogeveen & choir
Made possible by: Performing Arts Fund, Amsterdam Fund for the Arts

ATMEN, impact program - Nicole Beutler Projects
Designing, programming and produce the tour and impact program of the performance ATMEN.








TE ZIJN OF NIET TE ZIJN statement
Designed and initiated a statement to change the arts and cultural sector in the Netherlands about climate change, sustainability and to bring about change in the idea and function of art at this moment.


GRADUATION #Exhibition
Graduation show Graphic Design, KASK Ghent.
More information is coming soon.

RADIX x 'Stoepplantjes', Tolhuistuin Amsterdam - Collectief Walden
With RADIX, Collectief Walden shows that our dealings with invasive exotics are characteristic of our actions as a species, humans, on the planet. We want the benefits, but not the burdens of our expansive ambitions.
26th - 30th of October during WE ARE WARMING UP FESTIVAL at Tolhuistuin Amsterdam
Credits
Producer podcast: Katz Laszlo
Writer: Stan Frijsinger
Voice actor: ‘Ntianu Stuger
Producer: Raïssa Pater
Collectief Walden
GEDENK TE OVERSTROMEN - Collectief Walden
This year, hunger stones with texts like "Wenn du mich seehst, dann weine" became visible in several European rivers. The stones were laid down in the riverbeds by people hundreds of years ago during extreme drought in the hope that future generations would never have to see them.
Amsterdam faces an opposite problem. Our city is finite. If we look at water level predictions, Amsterdam will be under water within 250 years. Inspired by the warning of famine stones, Collectief Walden commemorates the flooding. The maximum potential sea level rise is seventy meters, if all the land ice on our planet melts. In the Tolhuistuin, Collectief Walden is building a memorial that changes along with the rising water level. How do we commemorate a disaster that awaits us? And how does it affect the choices we make today?
During WE ARE WARMING UP FESTIVAL, Collectief Walden makes the first blueprint of the monument for the disaster to come.
Credits
Collectief Walden
Creative producer: Raïssa Pater


NAU 0000/1000, de nulmeting - Oerol, Terschelling, Collectief Walden
If the landscape changes and the future runs out, how do we want to deal with it now? Do we dance everything out and burn up the future quickly, but fiercely? Or do we put her away so we can keep her with us as long as possible. Collective Walden makes blueprints of a changing landscape using conversations with Terschellingers.
How do Terschellings deal with the changing landscape? Collective Walden does a baseline measurement: the past movement of the landscape is recorded and – in the tradition of passing on knowledge through songs and songs – sung into the future. A start for a new ritual for eternity. Not a coming of age, but a coming of nature.

WARMTE - Collectief Walden
Ever since humans lost most of their body hair, we've been looking for warmth, in hundreds of ways, to solve our cold.
We'll look for her when we get home tonight and turn up our central heating thermostat. We look for her when we get dressed in the morning, or undress under the down of the night.
We're looking for her in the shower. In someone else's skin. In the food that is grown with sweat, prepared with fire, and burned with hunger. We look for her in factories and in power stations. Where the heat of smoldering coals and fission cores is driven up and energized. Which in turn causes our homes and universities, our airports, concert halls and hospitals, to be lit bright white, shining like twinkling stars against the blue-black face of the night. But what if the solution becomes the new problem? What if the warmth we so desire becomes sweltering, suffocating?
WARMTE is an interdisciplinary location artwork in the public space.

Festival Tweetakt
Tweetakt is an arts festival for everyone. You will discover an innovative and exciting theater and dance program full of premieres, new productions by young talent and success numbers from well-known companies. You can take a break from the busy program at the festival location Fort Ruigenhoek, where art installations are exhibited annually in the open air.
This year also completely corona proof!
Corona manager & advisor: Raïssa Pater

Over het IJ Festival
Over het IJ presents adventurous art productions throughout the year, always in relation to urban themes and in exciting locations in Amsterdam. Across the IJ you can see the city with new eyes. Inspire, enrich and amaze yourself, get to know new places, people and their stories. For everyone who believes that art, connection and meeting ensure a better and more beautiful world.
Dutch newspapers about the festival:
“Het nu net begonnen Over het IJ Festival bijvoorbeeld, op de NDSM-werf in Amsterdam-Noord, kenmerkte zich voorheen door veel gewoel en ellenlange wachtrijen. De pont ernaartoe is vol als vanouds, maar de richtlijnen zorgen nu voor een verbazende rust. Je kunt het festivalhart alleen binnenkomen met een (betaald!) polsbandje en bij elke voorstelling is een gezondheidsverklaring voorwaarde.
De programmering heeft er niet onder geleden. In loodsen, containers en buitenlucht presenteren nieuwe en gevestigde theatermakers hun kijk op actuele thema‘s. Met een IJ-Tour kunnen verschillende locaties corona-proof worden bezocht.
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“Coronamaatregelen en zeecontainervoorstellingen; het lijkt op het eerste gezicht niet de beste combi. Want hoe hou je het virus op afstand in een zeer kleine, afgesloten ruimte waar hooguit een op zolder opgeduikelde tafelventilator voor enige luchtverversing zorgt? Maar Over het IJ Festival laat de jongste makers uiteraard niet in de steek en presenteert ook dit jaar weer een volwaardig, twaalfdelig zeecontainerprogramma – coronabestendig, uiteraard.
En dus kwamen makers en toeschouwers meer dan in voorgaande edities (deels) uit de zeecontainer. Meteen maar een groot compliment aan makers en organisatie: bij geen enkele voorstelling voelen de corona-aanpassingen als een compromis of lijken er vanwege het virus artistieke concessies gedaan te zijn. Integendeel: de vaak onverwachte settingen zijn stuk voor stuk betekenisgevend en dus van grote toegevoegde waarde aan het artistieke product. Het maakt een rondje langs de zeecontainers dit jaar misschien nog wel avontuurlijker dan anders.”
“Het moet bij de organisatie en alle makers een collectieve zucht van verlichting hebben opgeleverd. Op de eerste avond van Over Het IJ bleek dat het evenement ondanks de aangescherpte coronamaatregelen zou kunnen doorgaan. Dat is niet alleen voor de direct betrokkenen goed nieuws, maar zeker ook voor het publiek: het theaterfestival geldt al jaren als een van de meest avontuurlijke podiumkunstevenementen van Amsterdam, waar veelal jonge theatermakers de industriële omgeving van het NDSM-werf naar hun eigen hand zetten.”

Constructions of my interior
Within the familiar environment of four plexiglass walls, two figures drag their furniture undisturbed. In a continuous movement of sliding and shifting, they try to shape their own inner world. An interior as a maelstrom of constant transformation and restless movement, looking for the right balance between inside and outside.
Following Nomads and Gods, the Constructions of my interior is the third part in a series about the displaying man.
Try out: 29th of October @ United Cowboys, Eindhoven
Première: 30th of October @ United Cowboys, Eindhoven
Performance:
31th of October @ United Cowboys, Eindhoven
16 - 18 of November @ Veem House of Performance, Amsterdam
8 - 11 of December @ Theater Kikker, Utrecht
Credits:
Concept and direction: Sam Scheuermann
Performers: Koen van der Heijden and Sam Scheuermann
Creative producer: Raïssa Pater
Dramaturgy: Jasmijn van Wijnen
Sound design: Krijn Moons
Light- & set design: Kelvin Pater
Thanks to: Lotte van den Berg and Erik van de Wijdeven
Made possible by: PLAN Brabant, NORMA Corona Fonds and Amsterdams Fonds voor de Kunsten

Lost Landscape
Lost Landscape
A poetic route shows how we as humans interact with nature. People cannot restrain themselves to appropriate and build places in their environment. In Jeugdland too, the children are busy building and creating themselves, but what does this actually mean? Our intervention transforms the landscape into a new form. Nature reacts to this again, adapts or overgrows. This performance shows how order and the original go hand in hand.
*Jeugdland is a nature playground in the East of Amsterdam, The Netherlands.
This project is part of a graduation performance of Sabine Okrouhlik, student Scenography at the Amsterdam University of the Arts.
Credits:
Scenic Design: Sabine Okrouhlík
Creative producer: Raïssa Pater
Assistent producer: Job Leseman
Actors: Ella Jonker, Zoë Schollee, Martijn Huisman & Annet de Ruiter
Light designer: Hessel Hilgersom
Technician: Erik Gramberg
Graphic designer: Linde Ruigrok van der Werven
Big thanks to:
Tatyana van Walsum, Hella Godee, Bart Visser, Gemma van Kruijsbergen, Bas de Bruijn, Bodine Sutorius, het Decoratelier, Afdeling Theater Techniek & Jeugdland Amsterdam.
Tickets: Lost Landscape tickets

MAD VOICES
Theatre play about the anger of women.
2th of October in De Meervaart, Amsterdam, during ITS Festival 2020
Credits:
Concept: Sanne Bokkers
Players/music: Moriah Dekker, Maja Grzeczka, Judith Rijsenbrij, Līva Dumpe en Sanne Bokkers
Sounddesign: Judith Rijsenbrij
Production: Raïssa Pater
Tech: Anique van Laar, Michiel Schnelle
Scènephoto: Suzie Hagens
Posterphoto: Janne Igbuwe
Thanks to: Marie Groothof, Floor Houwink ten Cate, Bodine Sutorius, Stella van Leeuwen, Loes van der Pligt, Loïs Maat, Paula Braas, Zita de Vos, Mimeopleiding, Interfacultair Fonds.

The Sound of Light
The Sound of Light is a performance installation that makes the voice of natural light audible. An installation that generates electricity by means of the force of nature, from which a composition ensues.
Together we search for the sound and color of light. Can natural light be, just as humans, a source of music?
With this installation we want to create more awareness about natural light, by making it’s fluctuating values audible. Any change in sound is equivalent to a change in natural light. By composing with light, we create awareness of the power of nature.
Come listen to what the natural light has to say!
Tune in on the 20th, 21th, 27th and / or 28th of June from 8:00 am to 6:00 pm CET via Youtube, Facebook and Instagram.
Credits
Design: Natural Light Project
Creative producer: Raïssa Pater
Sound design: Maurits Nijhuis and Samuel de Smit
Technical design: Samuel de Smit
Voice-over: Xandra Nur Clark
This project was made possible by the Amsterdam University of the Arts and the Interfaculty Foundation.
Oedipus
Graduation theatre play.
With a wonderful team, do we want to produce as sustainable and CO2- neutral as possible.
Short synopsis:
This performance tells the story of Oedipus placed in the current climate situation.
How does an individual respond to issues affecting the entire world? Does Oedipus choose for himself? Or does he confess guilt and save the people?
Director: Stijn Dijkema
Set and Light design: Kelvin Pater
Sound design: Casper Verberg
Technical production: Daan Stigter
Creative Producer: Raïssa Pater
Dramaturgy: Belle de Wit
Director- assistent: Elianne Essaijan
This production has been postponed to 2021 due to the corona pandemic.

Killing me Softly
Based on the play ‘With Joran aan Zee’ by Rob de Graaf and the documentary ‘The Act of Killing’, are four actors doing research about the evil.
Within pop culture and philosophy, the difference between good and evil is already outdated. Are we in need of change?
Concept & play: Damaris de Jong, Jasper Stoop, Nikki Kuis en Tijn Panis
Production: Raïssa Pater
Light design: Wout Panis
Technicians: Remy Pieplenbosch, Camiel van Eijs en Jasper Kayser
Sound design: Charley McNelly